Introduction
“I feel watched when I’m alone.” It’s a feeling that perhaps many of us have experienced at least once. Religion confirms it as true, but rational thinking often tries to deny it, perhaps out of a fear caused by conscience and the knowledge of our mistakes for which we wouldn’t want to be judged.
Ciprian Rotaru attempted to expand on this sensation that he often felt in moments of solitude, and the result of this manifestation is before you.
“Beyonder” is the materialization of the sensation of being observed through the ether, which perhaps many of us feel in certain solitary moments, when perhaps imagination, or that feeling of fear, animates our inner fear of being watched in our intimate moments.
However, if we carefully observe the face of the superior being, which cannot be categorized into any gender, having sexual ambiguity and fluidity, we will notice a cosmic impassivity, suggesting that our actions, whether good or bad, lack the magnitude necessary to impress or move such intelligence. “Perhaps we are too small,” we might excuse ourselves while simultaneously becoming depressed about our insignificance, but questions arise: Why does such a being watch us? Does it judge us by our actions? Has it taken a break to observe us? Is it curious about what we can do with our free will? If we will coexist in peace? If we will destroy ourselves? If we will cooperate and prosper? Why does it look at us after all? Perhaps for the same reason we admire nature and its mysteries. Maybe even the superior being doesn’t fully understand us despite its infinity. Its eyes that encompass the stars of the universe, with pupils like two black holes absorbing everything that enters within, rejoice like us in a moment in time, looking with fascination at us, mortals, the temporary creation of an infinite Universe.
Color and Composition
The artist uses a vibrant palette, dominated by intense blue, bright red, and deep green. This bold use of contrasting colors creates a feeling of tension and intrigue, guiding the viewer’s eye throughout the canvas. The division of the face into two distinct color zones – cool blue on the left and warm red on the right – adds duality to the composition, suggesting a clash or harmony between opposing forces. This dichotomy could symbolize various themes, such as inner conflict, balance, or the coexistence of contrasting emotions.
The colors of the face are representative, alluding to the two great Universal powers: Good and Evil, Destruction and Creation, Life and Death.
Interpretation of Symbols
The asexual, chameleonic face doesn’t restrict any viewer’s imagination from transposing themselves into the place of the superior being, allowing any spectator to imaginatively take on the function of an impassive observer and thinker. This invites us to reflect deeply on our own condition as creator, observer, and superior intelligence.
The penetrating eyes, composed of black holes (the pupils), stars, and dark matter, clearly demonstrate how the Universe observes us in return, not just we observing It.
The pseudo-cross on the forehead reminds us of numerous religions that have a similar totem: Christianity, Buddhism (swastika), Hinduism, Egyptian Mythology (Ankh), Celtic Culture, and many others that are obscure or little known to us. It is positioned in the third eye area, the place where spiritual enlightenment occurs, the location of the pineal gland which has the ability to access the knowledge of the ether when vibrating at the correct frequency. The whiteness of the cross represents the totality of knowledge, as it contains all colors in the visible spectrum.
The Beyonder’s gaze is one of curiosity, without intention to judge, as if waiting to see what happens with us, mortals, or what we will do next, suggesting that our actions are not entirely insignificant. The planet seen in the foreground might indicate how small we are, thus evoking feelings of inferiority, but the fact that we are watched with interest by such an evolved being suggests that we do, in fact, have significance. Our actions, driven by our free will, are watched attentively.
On a more comical and perhaps desolate note for some more pessimistic readers, the entire scene might bring to mind a person watching an ant farm they keep merely for amusement.
Working Style
Ciprian Rotaru’s brushwork is expressive and varied, with areas of smooth blending contrasted by more textured, pointillist sections. This variation in technique adds depth and dimension to the painting, enhancing its visual interest. The use of light and shadow is particularly effective in the planet areas, providing a three-dimensional quality that juxtaposes the flatter and more abstract zones.
The impressionist pointillism technique was used to create the planet in relief, possessing, illusorily, the quality of visual palpability.
Fauvism → The expressive coloring of the face is influenced by Fauvism, using bold colors and strong contrasts to create a vibrant and dynamic visual presence. This approach brings an emotional intensity to the painting, similar to the works of Henri Matisse and other Fauvists.
Abstract Biomorphism → The abstract biomorphic elements in the work reflect Joan Miró’s influence. The organic and curved forms in the composition suggest a connection with nature and create visual fluidity, bringing a sense of movement and vitality.
Impressionism through Pointillism → The pointillism technique, characteristic of impressionism, is masterfully used to add texture and detail to the planet. This method gives the painting visual depth and complexity, creating an illusion of relief and palpability that enriches the viewer’s visual experience.
Associations and Inspirations
Henri Matisse – Fauvism (Woman with a Hat)
Ciprian Rotaru’s painting “Beyonder” recalls the bold use of colors and contrasts seen in Henri Matisse’s works, particularly in “Woman with a Hat”. Fauvism, characterized by vibrant colors and free brushwork, is evident in how Ciprian uses intense shades of blue, red, and green to create a lively and dynamic composition. This bold approach to color gives the painting an energy and vitality similar to that present in Fauvist works.
Wassily Kandinsky – Abstractionism
Wassily Kandinsky’s influences are visible in the use of vibrant colors and the abstract way of representing the subject. Kandinsky, known for his abstract works that explore emotional and spiritual connections of color and form, is reflected in the atmosphere of mystery and contemplation in “Beyonder”. Rotaru’s free composition and play of colors evoke Kandinsky’s exploratory and innovative spirit.
Alfred Sisley – Impressionism through Pointillism
The textured details and pointillism in the lower section of the painting, which resembles a landscape or topographical map, reflect the influence of pointillism technique. This aspect recalls how Alfred Sisley and other impressionists used points of color to create depth and texture. In “Beyonder”, pointillism contributes to creating a rich and detailed landscape, adding an additional dimension to the work and suggesting the exploration of new territories.
Joan Miró – Abstract Biomorphism
The abstract biomorphic elements in “Beyonder” recall Joan Miró’s works. Miró’s abstract biomorphism, with its curved and organic forms, can be seen in how Rotaru has treated the lines and forms in his painting. These organic forms contribute to the sensation of life and dynamism, creating a link between figurative and abstract. The fluid textures and elegant curves in “Beyonder” reflect Miró’s exploration of abstract biomorphism.
Evoked Feelings
Introspection.
Power.
Control.
Omniscience.
Observational Impassivity.
Spiritual Peace.
Ideal Usage
Ideal Usage: Living Room, Dining Room, Hall, Entrance, Interior Staircase;
The painting “Beyonder” by Ciprian Rotaru could be placed in various locations, depending on the desired atmosphere and impact. Here are some suggestions for suitable locations:
- Living Room:
- In a living room, the painting can become the focal point of the room, immediately attracting guests’ attention. The vibrant colors and dynamic composition can add energy and visual interest to the space.
- Office:
- In an office, the “Beyonder” painting can inspire creativity and reflection. Placed in a visible area, it could stimulate creative thinking and provide a visual break from daily activities.
- Hall:
- In a hall, the painting can create a strong impression on guests. It is an ideal place to display an artwork that invites contemplation and dialogue.
- Bedroom:
- In a bedroom, the painting could be placed above the bed or on a free wall, adding a note of mystery and introspection. The colors and design could influence the room’s atmosphere, making it more personal and introspective.
- Creative Studio:
- In a creative studio, the painting could be a constant source of inspiration. Its colors and forms could stimulate the creative process and serve as a visual reference point for other works.
- Lobby:
- In a building lobby or reception area, “Beyonder” can captivate and impress visitors through the sophisticated atmosphere that this modern work imposes. It is a place where many people can appreciate the work.
In general, placing the “Beyonder” painting in a visible and frequented location will allow its message and beauty to be fully appreciated. Regardless of the chosen location, this vibrant and dynamic painting will add depth and character to any space. Additionally, it can be an excellent conversation subject, facilitating the initiation of dialogue with an unknown person.
Conclusion
Finally, the mastery with which it was created, and the symbolism and message it conveys, will ennoble through beauty and knowledge any room in which it will be placed. The owner will involuntarily join the club of patrons who support local culture, and social status will be automatically elevated, simply because fine art is an interest sustained and sought only by people in the highest positions in society. Investment in such an object, especially when considering the genius and potential of such a rarely encountered artist, will not only not depreciate, but the opposite is more than likely.
